I could name you a dozen superheroes whose powers I'd like to have. But if I could have any power in the world, it would be the power to read or watch a creative work and absorb the technical skill of the people who made it. Because then I could have even more fun writing. That's my core identity.

I seem to like playing with form, and the superhero genre has an awful lot of formula to it. It has a lot of formula to it that I don't think it should be limited to.

It strikes me that the only reason to take apart a pocket watch, or a car engine, aside from the simple delight of disassembly, is to find out how it works. To understand it, so you can put it back together again better than before, or build a new one that goes beyond what the old one could do. We've been taking apart the superhero for ten years or more; it's time to put it back together and wind it up, time to take it out on the road and floor it, see what it'll do.

The metaphors exist for the stories.

The characters are, by their nature, archetypes that can serve different metaphors.

I think James Bond is a spy. He's not superhuman. Calling him a superhero is like calling James Bond movies "comic-book movies."

Superhero creators who engage in deconstruction fall into two categories: There are the guys who do it because it's easy, because it gets an audience reaction if you point out that superheroes must be a bunch of psychotic nuts. And there are the guys who do it because they're actually interested, and they're trying to get at what's going on underneath. They're interested in the process and the results.