I was lucky enough to be a "type." Sort of a bad-guy type at the time, because I was tall and I had dark eyes. A lot of times, you don't have to be good; you just have to be the right type.

Paul Michael Glaser was very nice to me, and I was again told, "Do less and less and less and less." And I still was bad! I can't believe I kept getting hired after some of these things I did! It's baffling to me. I'll go back and look at it, and I can't even watch it [Running man film].

Why focus on what somebody might think? Nobody talks [on TV] like people really talk most of the time.

When real actors are approaching their work, we could be on a little stage somewhere, doing community theater. It's all the same. They're just trying to make the scene work. They're just trying to do the best they can and figure it out.

I've worked with Jack Nicholson and Robert De Niro and Tom Hanks. I've worked with some really good directors: Woody Allen, Paul Schrader... My God, I've really worked with a lot of people. But I'm intimidated by them, and I'm always thinking, "Oh, my God, he's not going to like me, and I'm going to get fired."

I would go to these 'Supernatural' conventions because, well, one, it's like going to your own version of Disneyland. You're adored for an hour or whatever, and then you walk out and you're nobody again, but, boy, when you're there, it must be what it's like to be Brad Pitt all day, you know? You're the best thing going. And it pays pretty well, too! But I was concurrently loved and hated by everybody, because the suspension of disbelief is, uh, pretty high among 'Supernatural' fans.

I was probably 34 when I got my first on-camera acting job, and it was through a friend of mine, who was working as a writer on the show, and I've never been more frightened in my life.