You don't go to Berkeley to become an actor. In fact, I don't think you go to any school to become an actor. You've just sort of got to go out there and act.

When you're working, nobody's a star. We're all just actors trying to figure it out.

If I had not lived the life I had lived and did not have the wife I have and the children I have, I would never know how to play that role [of Dr. Bedsloe], and I wouldn't have any of those qualities. It's a real example of how it is true that the camera catches everything. Even the stuff you're trying to hide.

I understand that actors lose their looks, they change over time, but people don't lose their talent. I think that, as people get older and the people who make the decisions get older, they don't like hiring people much older than them because it reminds them of their fathers, and they don't like telling people older than them what to do. It makes them uncomfortable. I think that happens a lot.

Without being good enough, I started figuring out how to make my way through the minefield of a script, which is what it was to me at the time, and the rest is semi-history.

I would go to these 'Supernatural' conventions because, well, one, it's like going to your own version of Disneyland. You're adored for an hour or whatever, and then you walk out and you're nobody again, but, boy, when you're there, it must be what it's like to be Brad Pitt all day, you know? You're the best thing going. And it pays pretty well, too! But I was concurrently loved and hated by everybody, because the suspension of disbelief is, uh, pretty high among 'Supernatural' fans.

I am not a member of the chamber of commerce for show business, believe me, but there are some really good people in the business, and [Tom] Hanks has this everyman decency onscreen, but he actually is that guy.