My production team doesn't like not knowing what anything is going to look like, but creatively, that's fun.

I always have a sense of where I want to end each season, emotionally and relationship wise and with the theme, and I'm always able to hit that.

I've always wanted to play with this idea - and I didn't want to leave it to the last season, but I wasn't quite sure when it was going to happen - of putting Jax [sons of Anarchy] at the head of the table and the ripple effect on the guys and the loyalties of it and where people land.

My production team doesn't like not knowing what anything is going to look like, but creatively, that's fun.

I navigate through the world with the excitement and determination of a child. That's why I'm an artist. I'd die without an outlet for expression. Unfortunately, more often than not, that childlike energy is the maturity level I bring to many circumstances.

I love being able to stay real to the world.

I have a loose blueprint of where I want the show to go. I stress, quite frankly to remind myself, that I hold onto that vision very loosely, so that I can be moving towards something, but I don't ever want to feel like I'm in a box that'll stop me from exploring a potential new direction.