I was used to hanging out late after playing a gig - you mix adrenaline with alcohol and you can stay up all night.

There's downtime in music, which obviously is necessary or else you'd lose your mind in other ways, but if we're on tour and there's electricity from the audience, if you're getting a good response, then that's the positive side of the mojo where I could feel cocky and just know I'm doing good and then there's a time all of a sudden when you're alone and you just don't know if people will like it.

Some people think they are such geniuses and just thought of that. They think they are so smart, like they say "All this talk about Kurt Vile and no one asks him where he got his stupid name from," or, "No one asks where he stole his name from." And I'm like, "Oh, you're a genius."

People do get mad at me for falling asleep sometimes, and it's the most frustrating thing. I can't help it.

I use a lot of humor in my writing. But it's completely black humor.

Not that Matador is a major label, but its major enough for me. On one level we're on Matador, but our amps still might explode on stage or they'll be an echo in the mic. It's like climbing a ladder. I like to climb it really slowly. I could probably get really professional right away, but I like to take baby steps and find my own way.

There were a few verses that I wrote literally on the spot. But the concept was there. It's about being in your own world musically and waking up in the morning and walking outside and being consumed by everything around you. Just being aware of the good things in art and music and life. It's also about how the world is at a boiling point, in a way.