When people open up and share their stories, you have a responsibility to tell these truths truthfully and with the same quest for grace and beauty that you see in them.

In reggae I have a model of artistic excellence and possibility that is challenging and inspiring. The poem remains a demanding thing - an object to be understood and shaped into my own sense of self, the same is true of the play, the novel, the short story. Yet, for some reason, I approach these existing genres with the kind of confidence that the reggae artist approaches any song floating around out there.

Latino poets, are really having a significant impact on American poetics today.

As you may know, my motto is: "All memory is fiction." It could just as easily be: "All fiction is memory." Unpacked, these two statements defy the ease of logic, but offer some really important truths about narrative art, at the very least, and about memory. So I would say that all art is personal.

I believe that many lives around us now can reflect this strange pattern of migration and movement. The question is: are we aware of it, and do we embrace it as a kind of birthright? I do. And yet, I feel deeply connected to at least two homespaces - Jamaica and Ghana, and more recently, South Carolina.

Rick Black writes with the honed elegance of a poet so in command of lyric sentiment and the efficient evocative use of language that what results is indeed as urgent and vulnerable as true prayer ... There is something profoundly human and completely necessary about Star of David.

Our goal is to publish African poets in as many ways as possible.