In writing a little tragedy, 'The Gaol Gate,' I made the scenario in three lines, 'He is an informer; he is dead; he is hanged.' I wrote that play very quickly.

It takes madness to find out madness.

I hold that the beginning of modern Irish drama was in the winter of 1898, at a school feast at Coole, when Douglas Hyde and Miss Norma Borthwick acted in Irish in a Punch and Judy show; and the delighted children went back to tell their parents what grand curses 'An Craoibhin' had put on the baby and the policeman.

It was on the first day of Beltaine, that is called now May Day, the Tuatha de Danaan came, and it was to the north-west of Connacht they landed. But the Firbolgs, the Men of the Bag, that were in Ireland before them, and that had come from the South, saw nothing but a mist, and it lying on the hills.

It's a grand thing to be able to take your money in your hand and to think no more of it when it slips away from you than you would a trout that would slip back into the stream.

My husband was in the war of the Crimea. It is terrible the hardships he went through‚ to be two months without going into a house‚ under the snow in trenches. And no food to get‚ maybe a biscuit in the day. And there was enough food there‚ he said‚ to feed all Ireland; but bad management‚ they could not get it.

Once in my childhood I had been eager to learn Irish; I thought to get leave to take lessons from an old Scripture-reader who spent a part of his time in the parish of Killinane, teaching such scholars as he could find to read their own language in the hope that they might turn to the only book then being printed in Irish, the Bible.