It is what the poets of Ireland used to be saying, that every brave man, good at fighting, and every man that could do great deeds and not be making much talk about them, was of the Sons of the Gael; and that every skilled man that had music and that did enchantments secretly, was of the Tuatha de Danaan.

I hold that the beginning of modern Irish drama was in the winter of 1898, at a school feast at Coole, when Douglas Hyde and Miss Norma Borthwick acted in Irish in a Punch and Judy show; and the delighted children went back to tell their parents what grand curses 'An Craoibhin' had put on the baby and the policeman.

Every trick is an old one, but with a change of players, a change of dress, it comes out as new as before.

And my desire,' he said, 'is a desire that is as long as a year; but it is love given to an echo, the spending of grief on a wave, a lonely fight with a shadow, that is what my love and my desire have been to me.

In my childhood there was every year at my old home, Roxborough, or, as it is called in Irish, Cregroostha, a great sheep-shearing that lasted many days. On the last evening there was always a dance for the shearers and their helpers, and two pipers used to sit on chairs placed on a corn-bin to make music for the dance.

I said, in talking, that I felt more and more the time wasted that was not spent in Ireland.

Every day in the year there comes some malice into the world, and where it comes from is no good place.