That's always been my main anxiety - the people in the room. That's my massive stress - thinking that these people in the room are judging me. And, this time around, I've been able to think a little bit more clearly about that. I've been able to think "Well, no. They're here to enjoy a show," and I want to give them that. I want to give them their money's worth – for starters.

Writing that sort of [songs like "Let is Roll"]made me try to almost sort of ingrain it in my own head every time I sing it live as well. It's like therapy. It's like "Move on, Pip! Come on. You can do this! You can do this."

“Let is Roll” is like - well, it was like me thinking of a human being in its purest form. That form being a baby where there's nothing there - well, unless I guess you believe that something comes along attached. It depends on what you believe.

I feel like in every song I write, I always write a little darker bit.

With the second record (2012's Anxiety), I was quite jaded, and exhausted, and tired. With this third record, I feel that I've come full circle. I had gotten to the absolute pinnacle of how bad someone could feel.

I think love is one that can definitely make you go crazy, and it's almost like love can induce mental illness in a lot of people, or bring it out worse. It makes people make crazy decisions.

I don't want anyone to think that I've been lost to California.