I don't drink anymore. That's a huge - that's a massive - difference in my life. It's made a huge change in my touring.

“Money to Burn” is a fantasy. I mean, I would love for that to be a true story. Most of my songs are written in metaphors.

I feel like in every song I write, I always write a little darker bit.

I remember writing a song when I was about 15. This is the one I can remember. I know I'd been writing poetry for a long time, since I was about eight, but I remember my first one that I put to chords. I was really trying to be like the psychedelic era Beatles, I was obsessed. All I could think about was Beatles and Hendrix. So I tried to write a psychedelic song, and it was the worst. I couldn't even... If I read it now - I still have the book somewhere - it makes me cringe out loud. It was just about psychedelic stuff.

Writing that sort of [songs like "Let is Roll"]made me try to almost sort of ingrain it in my own head every time I sing it live as well. It's like therapy. It's like "Move on, Pip! Come on. You can do this! You can do this."

I don't want to say I drank the Kool-Aid because I'm definitely not religious and I don't buy into any religion at all. I'm anti, because I don't like anyone being discriminated against. But, I do think that I very much needed a sunny place for me to feel happier, and living in LA was almost like that sort of cleansing experience like I was being baptized in a river.

I got to a happier point and then started making a record [Wild Things]. I don't mind at all that it sounds like LA, because LA was integral to me feeling better. Seeing the sunshine and all that other sorts of stuff was definitely a huge part in why the album sounds like it sounds.