This gown, is it cut from shadow?" the general asked. "I can barely feel it between my fingers." Not for want of trying, thought Madrigal. "Perhaps it is a reflection of the night sky," he suggested, "skimmed from a pond?" She supposed that he was being poetic. erotic, even. In return, as unerotically as possible- more like complaining of a stain that wouldn't come out-she said, "Yes, my lord. I went for a dip, and the reflection clung.

She had said she didn't feel fear, but it was a lie; this was her fear: being left alone. Because of one thing she was certain, and it was that she could never love, not like that. Trust a stranger with her flesh? The closeness, the quiet. She couldn't imagine it. Breathing someone else's breath as they breathed yours, touching someone, opening for them? The vulnerability of it made her flush. It would mean submission, letting down her guard, and she wouldn't. Ever. Just the thought made her feel small and weak as a child.

I think with world building, it's important to create a sense of culture even if it is just a fantasy, and the best way to do that is to look at a real human culture and see what makes it cohesive.

My tiny scary friend is coming

You mean he came to your school? The scandalous rodent-loaf!

I was going to say the beginning is the good part, when it's all sparks and sparkles, before they are inevitably unmasked as assholes.

You could look out the window today, see the sky raining fire, and say that it has all been for nothing, everything we've ever done, because now we've lost. But folk were born and lived and knew friendship and music in this city, ugly as it is, and all across this land that we fought for. Some grew old, and others were less lucky. Many bore children and raised them, and had the pleasure of making them, too, and we gave them that for as long as we could. Who has ever done more, my friend?