And I've found that since you can't electrify yourself like a fence, the next best thing is to have murderer's eyes.

This, she thought, isn’t just for today. It’s for everything. For the heartache that still felt like a punch in the gut each time it struck, fresh as new, at unpredictable moments; for the smiling lies and the mental images she couldn’t shake; for the shame of having been so naive. For the way loneliness is worse when you return to it after a reprieve—like the soul’s version of putting on a wet bathing suit, clammy and miserable.

Is it good or bad?" she asked Issa. The wrong question, she knew. She just couldn't help herself. "It's both, sweet girl," said Issa. "like everything.

The two of them were stoic and stone-faced and ten feet apart, currently not even looking at each other, but Zuzana had the impression of a pair of magnets pretending not to be magnets. Which, you know, only works until it doesn't.

The choice I mean is to protect our own innocents from the seraphim, instead of slaughtering theirs." "There are no innocent seraphim, said the wolf." "That's what they say when they kill our children.

Was there another life she was meant to be living? At times she felt a keen certainty that there was ― a phantom life, taunting her from just out of reach. A sense would come over her while she was drawing or walking, and once while she was dancing slow and close with Kaz, that she was supposed to be doing something else with her hands, with her legs, with her body. Something else. Something else. Something else.

The biggest challenge for me has been in coping with my perfectionism. I have a stiflingly hard time moving forward in a project if it's not 'just right' all along the way. The trap I so easily fall into is rewriting and rewriting the same scenes over and over to make them perfect, instead of continuing on into the wild unknown of the story.