The biggest challenge for me has been in coping with my perfectionism. I have a stiflingly hard time moving forward in a project if it's not 'just right' all along the way. The trap I so easily fall into is rewriting and rewriting the same scenes over and over to make them perfect, instead of continuing on into the wild unknown of the story.

Karou saw them with her human eyes, this army she had rendered more monstrous than ever nature had, and she knew what the world would see in them if they flew to fight the Dominion: demons, nightmares, evil. The sight of the seraphim would be heralded as a miracle. But chimaera? The apocalypse.

It didn't escape Karou's notice that he found subtle ways of touching her.

The goblins want girls who dream so hard about being pretty their yearning leaves a palpable trail, a scent goblins can follow like sharks on a soft bloom of blood. The girls with hungry eyes who pray each night to wake up as someone else. Urgent, unkissed, wishful girls. Like Kizzy.

It's all a quilt of fairy tales with a patch here and there of truth.

What can a soldier do when mercy is treason, and he is alone in it?

Don't I deserve to finally be free of you?