It’s like losing gravity and falling into space – the moment of pitching headlong when the endlessness of space asserts itself and there is no more down, only an eternity of up, and you realize you can fall forever and never run out of stars.

So here we are, talking about Roman unicycles and alien sandwiches and my sister’s Italian misfortunes, while hanging in between us is: MY EPIC FAILURE TO CARPE. What’s wrong with me?

I think with world building, it's important to create a sense of culture even if it is just a fantasy, and the best way to do that is to look at a real human culture and see what makes it cohesive.

It didn't escape Karou's notice that he found subtle ways of touching her.

And there's no better way to thaw a face, as it turns out, than with another face.

Being near her was like balancing on a tipping world, trying to keep your footing as the ground wanted to roll you forward, hurl you into a spiral from which there was no recovery, only impact, and it was a longed-for impact, a sweet and beckoning collision.

Rapture cults had packed their suitcases and were massing together in great vigils, waiting for the end. "All bogus," she'd told Zuzana. "Just a bunch of crackpots waiting for the Apocalypse." "Because, fun, right?" Zuzana rubbed her hands together in mock glee. "Oh, boy. The Apocalypse!" "Right? I know. How much does your life have to suck to want the Apocalypse?