I love fashion. I always have. When I was a kid, I was in almost full-on costumes when I went to school, and I've retained a bit of that in my adulthood.

I'm not a sketch writer. I know what I am: I have a sensitive comedic sensibility. What turns me on is subtle neurosis. That's my game. I'm not an action writer or a thriller writer and I'm not a sketch writer. I don't pretend to be those things. Then it would not be fun. Then you are in a space where this is painful.

I worked with an amazing dialect coach named Jill McCullough. We did Skype sessions while I was shooting "No Escape" in Thailand, actually. So three times a week I would have long, two-hour sessions with her just working on the nuance of the accent, which I had had a huge background in because I went to drama school in England for four years.

I've learned from every director I've worked with. Everybody's style is very different, and I always say that being an actor is the best film school that I could ever go to.

There are a lot of funny people and a lot of unfunny people. Some of them are women and some of them are dudes.

People do horrible things when they're young. There might be betrayal and there might be things that should be forgotten.

I'm a music person. Music is, for me, the best way to cure any sort of anxiety or icky feelings. I think it immediately takes you out of your element and makes some other person do the work for your thoughts.