I'm not a sketch writer. I know what I am: I have a sensitive comedic sensibility. What turns me on is subtle neurosis. That's my game. I'm not an action writer or a thriller writer and I'm not a sketch writer. I don't pretend to be those things. Then it would not be fun. Then you are in a space where this is painful.

When I'm tired of taking on too much responsibility as a director I then look for an acting gig.

I like my body, I like to have fun with what I put on, but I also want to remain classic. So I guess my signature is sexy and eclectic but classic.

I had had a huge background in the nuance of the accent because I went to drama school in England for four years.

You have to be steadfast, and right now I'm on a stream train forward to make.

When you're a director, you have great respect for directors. I am really pretty loyal to any director that I am working for and I want to help them realize whatever story and mood and tone that they're trying to realize. As an actor, you really just are a cog - you are an important cog, but you are just a piece of the machine.

Something that has always attracted me to even taking on the occupation of actor is the idea that I could be lucky enough to portray different characterizations from different places in the world, whether it's speaking another language or taking on a dialect and building a history from where they were born. I was very attracted to that concept, in becoming an actor.