When I got to New York City when I was 18, I started playing in clubs in Brooklyn - I have good friends and devoted fans on the underground scene, but we were playing for each other at that point - and that was it.

I have taken taking my music to labels for years, and everyone just thought it was creepy. They thought the images with the music were weird and verging on psychotic.

People are really talkative in New York. Someone always comes up to me and says 'Hi' during the day.

Body Electric... It is the first song from my new short film called #‎ Tropico that is coming out in the end of the month.

I think the thing I really got from Ginsberg was that you can tell a story through kind of painting pictures with words. And when I found out that you could have a profession doing that, it was thrilling to me. It just became my passion immediately, playing with words and poetry.

It's not like I think my art is inspirations from icons strung together. They're just sort of people who others talk about. I am definitely interested in the masters of different genres, they're talented and popular for a reason.

I wanted to be part of a high-class scene of musicians. It was half-inspired because I didn't have many friends, and I was hoping that I would meet people and fall in love and start a community around me, the way they used to do in the '60s.