The thing about me is, coming from an alternative music background and singing for nine years, being basically invisible, I'm so used to writing for myself - and at the end of the day, I do it because I feel like I have to. So when I'm recording or writing, I don't have other people in mind.

If my choice is to, I don’t know, be with a lot of men, or if I enjoy a really physical relationship, I don’t think that’s necessarily being anti-feminist. For me the argument of feminism never really should have come into the picture. Because I don’t know too much about the history of feminism, and so I’m not really a relevant person to bring into the conversation. Everything I was writing was so autobiographical, it could really only be a personal analysis.

Well, I mean, taking time for your art is taking time for yourself, isn't it?

I entered a songwriting competition, I didn't win, and one of the judges on the panel was an A&R man at a record label that had no other acts and I signed to them. We sent my demo out to five people and David Kahne got back to me that day, and said I think you're amazing I want to start with you tomorrow. He was like my Harvard reach school, I couldn't believe it. I was really excited. It was the first time anyone of any importance said I was good and I ran with that validation for a long time.

Who belonged to no one, who belonged to everyone. Who had nothing, who wanted everything.

I believe that there is no doubts about who I am, an artist who loves music, above everything.

I'm the gangsta Nancy Sinatra.