I have a lot of stories. I had done a thing called Nightmare in Red White and Blue, which was an anthology of horror films. I narrated it with a man named Joe Maddrey, who's a writer. He came to my house and said, "Lance would you consider doing this?," and I like Joe so much that I completely relaxed.

In every respect, fantasy is like doing abstract paintings.

There’s nothing more fierce than the female, like the momma lion. Believe me, my wife is a good example.

I've done a lot of video games and stuff, and I'm getting better and better at it. I don't have a prejudice about it being a different medium.

There are so many varieties of films. You've got the jet-lagged films, where you fly to Bulgaria or wherever and get off the plane, and they bring you right to the set, and you start working, even though I don't even know my name, it's been such a long flight. Then there's the alimony films. But after you've been doing this long enough, you've gotten into every kind of situation you can imagine, even to the point where there is basically no script, so you have to kind of do it scene by scene and survive.

When I'm making a movie, I never watch the dailies. I see the movie once and that's it. It's really not about that for me. It's not about the externals. When I'm on a set, I don't want to see it. I want to be subjective in it. That's my habit now.

I might go visit it one day, but I couldn't do any more than just visit. I love it, don't get me wrong, but it's just too big. I'm going to be at a lot of other conventions this year, with the book and everything.