I can only speak as an American, but most journalism here isn't doing its job any more. It's about selling stuff.

I mean, you know actors, we always want to do something else, something different.

I’m interested not just in projects that I’ll be starring in, but producing film and TV that’s really quality and great for adults; and when I say great for adults, it doesn’t mean without humor, because I’m also interested in doing comedy.

From the time I became an actor my whole approach was to try to do as many different things as possible. It never occurred to me that I might be typecast.

I feel like my public life isn't necessarily my own. I'm starting to get used to how to maneuver and operate in New York in a way that I don't get stopped all the time. I just pretty much say "Thank you." But one of the things is to try to keep moving. Not to stop too long, because people try to get into a conversation with you all the time. The hardest thing is on the subway, or when people try to chase you down.

In drama school, my greatest strength was my range. So my early career was like that: I played all kinds of different characters.

I graduated in '94 from Yale and New York Undercover was my first gig on TV. I was really all over the place with roles, which is what I wanted to do.