Notes are tricky in an audition, because I find, more often than not, my instinct is right.

You either get better, or you don't progress.

I feel like my public life isn't necessarily my own. I'm starting to get used to how to maneuver and operate in New York in a way that I don't get stopped all the time. I just pretty much say "Thank you." But one of the things is to try to keep moving. Not to stop too long, because people try to get into a conversation with you all the time. The hardest thing is on the subway, or when people try to chase you down.

When you're in a high-stress situation, dynamics between people can change.

I’m interested not just in projects that I’ll be starring in, but producing film and TV that’s really quality and great for adults; and when I say great for adults, it doesn’t mean without humor, because I’m also interested in doing comedy.

I can only speak as an American, but most journalism here isn't doing its job any more. It's about selling stuff.

I mean, you know actors, we always want to do something else, something different.