Notes are tricky in an audition, because I find, more often than not, my instinct is right.

What's interesting is, most of the people who are fans of the The Wire who black people or cops... most of the people in the industry are the crew: writers, actors and directors. And so they understand what it is that we do, so they think, "Wow, what a incredible group of amazing actors." It's funny, I think there are a couple of reasons why we have never gotten any nomination for anything except for writing.

If you're going to come at me, come at me respectfully, and I will respond respectfully.

I started to realize, a lot of times if you go into your memory, your sense memory, you know more than you think you do, from having watched and listened.

I feel like my public life isn't necessarily my own. I'm starting to get used to how to maneuver and operate in New York in a way that I don't get stopped all the time. I just pretty much say "Thank you." But one of the things is to try to keep moving. Not to stop too long, because people try to get into a conversation with you all the time. The hardest thing is on the subway, or when people try to chase you down.

I did an Off-Broadway show that was a comedy written by Ann Meara. We were like a family, and we did that show for a year. On Oz, I did feel like the cast members were friends and there was a lot of bonding. That said, there was a lot of testosterone. Once again, it was full of really intense theater actors with this writing that was really intricate and subtle.

I’m interested not just in projects that I’ll be starring in, but producing film and TV that’s really quality and great for adults; and when I say great for adults, it doesn’t mean without humor, because I’m also interested in doing comedy.