Why even live? If that's your goal, if you're just clamoring your way to the top, I mean, why even have a life? Somebody was telling me the other day about the lives of investment bankers who work ninety hours a week and how it affects their patterns of consumption.

I think, I just always want to leave the door open for, you know, I don't want it to be finished. I've never gotten sick of a song, I've played them over and over and over again, and if I get bored with something, then I'll just change that thing.

You've got to deal with the world with all of its troubles, while you've still got this alternate image. It's not about being in a different place or being in heaven, it's about seeing the world through magical eyes for a moment, and then being back in that same world, and everything is dull and gray. Having to remember the color.

When I met someone who I thought was really talented, I would just be like, Wow! How did you get that way? And I met a lot of people who would just do anything to claw their way to the top, and it was just shocking and awful for me to see that for the first time. And now I live in Manhattan so I have become desensitized to that.

I remember there was this one lady shaman who said that having children puts a hole in your soul. And the only way to get it back is for your children to die. And, you know, monks don't have families.

Why even live? If that's your goal, if you're just clamoring your way to the top, I mean, why even have a life? Somebody was telling me the other day about the lives of investment bankers who work ninety hours a week and how it affects their patterns of consumption.

Most of the musicians that I'm playing with now have jazz backgrounds, so they're comfortable with improvisation. And they all know to make eye contact with me, and I'll give them some kind of sign when I think that the song's ending. Or maybe I don't even have to, because they all sort of feel it at the same time.