Like the ability of all the musicians to end the song at the right time. Or when it's time for a chord change, but nobody knows what the chord should be, and you all, you know, it all just changes, magically, at the same time. It's when you pick up your phone to call someone and that person is calling you.

This is the world. I don't really believe in hell or heaven or an after life at all, I believe this is it. It can be a paradise for you, if you've got the right mindset. Or it can be a total nightmare. The song is just about remembering these moments of, you know, these epiphanies or magical moments of clarity that I think everybody has at some point in their life, often, while they're taking acid or something like that, or while they're doing really intense yoga.

They [investment bankers] don't even want the stuff that they've got, you know the fancy cars and houses. Their consumption is basically just a keeping up with the Joneses or let's buy the markers of success because this is what I'm supposed to have and this is what I'm supposed to do. And they are working so hard that they don't even have the time to think about what they might actually desire.

I started off in architecture, and I just couldn't fit into the vibe there. I just felt more at home in the Art Department, so I just ended up there. But I would be an architect if it didn't require so much engineering.

I'm totally a narcissist, so I was doing all this performance and having lots of weird ego time, and learning to set aside my love for the ego and find a deeper love for myself and through that seeing myself as one with all beings. And through loving myself, loving all people in the world, that was my cure for narcissism, the only cure.

The Muslim women that I have met are super-powerful and amazing and smart and they are, they're not allowing themselves to be held back by the laws that exist. And you know, the Internet exists now, and mobile phones are freeing up stuff. I have a really good friend who's from Iran and a really good friend who's from Kuwait, and they talk about getting music on the black market and how that's such an intense, amazing experience. And how they value the music so much more, because it's such a risk to own it.

Usually, I think it's best to play the song for them once and have them mix it up on the spot, because when the logical mind gets too involved, I think it kills a lot of magic. I just think the subconscious mind is so much smarter, and unfortunately, people do not trust their subconscious. A lot of people just don't access to all of that, the secret genius that's inside of them. And it's so much easier to get it out of a musician if you don't give them a chance to overthink.