In jazz improv, there is no such thing as wrong notes, only notes that are better chosen and it's not about the note you play, it's about the note you play next.

There are any number of players with extensive jazz backgrounds who haven't been able to fit into other styles," "It all boils down to taste, to playing what's appropriate for the context in which you're working.

In jazz improv, there is no such thing as wrong notes, only notes that are better chosen and it's not about the note you play, it's about the note you play next.

People ask me to describe how I play, and the most obvious answer is that I'm a jazz influenced guitar player. But I'm not a jazz guitar player. Wes Montgomery was a jazz guitarist, Joe Pass was a jazz guitarist (laughs).

It's the opportunity to play something completely different, responding to what happened just before you started to play, and I love that.

Lenny Breau had the ability to reach into your heart.

I want to figure out how I can make the most important statement with the least amount of information, so I don't run out of ideas by the time I get to my second or third chorus.