The major caveat in all of comedy is that it's all instinctive. There's no true criteria. There is no right or wrong. Ultimately, often I'm surprised at what an audience will or will not laugh at. I have to stay very, very open to an audiences first exposure to that material and how they react to it.

I never sat down and wrote, but what I do is kind of act as a dramaturge for the piece. I am sitting with the writers. I'm discussing ideas with the writers and concepts. We're debating and having a dialectic where we are taking a lot of different ideas and trying to synthesize them into the right idea. I'm very much a part of that process. That's my job as the director.

As a moviemaker, I'm able to have a little impact on the socio-political landscape and to reach a large audience around the world. That inspires me. That is something I'm inspired by and it's what I inspire to.

The major caveat in all of comedy is that it's all instinctive. There's no true criteria. There is no right or wrong. Ultimately, often I'm surprised at what an audience will or will not laugh at. I have to stay very, very open to an audiences first exposure to that material and how they react to it.

The world is a very troubled, very chaotic place. It's a very cold place. It's a very unjust and unfair place in many ways. [As a moviemaker] I have very limited ability to have an impact over all that.