The nature will continue, it's our existence that is finite and you are given this gift of life and you make your way with it, but fate and natural disasters will continue on.

In my films quite often, paranoia usually leads to the truth so it is kind of a psychological state of mind to think that what you fear may come true, and those are the types of stories that I like to tell.

The worst thing that could happen to a filmmaker is growing up wanting to be a filmmaker.

I've gotta be honest, it is a little of a mystery to me. I consider myself very sentimental, very sensitive, but obviously my outward appearance is a bit scruffy-haired, and I have a general tendency toward snarling at people, and a sort of misanthropic nature. Maybe that is what people actually read. I do actually believe that misanthropy and sensitivity go hand in hand, because I have a tremendous disappointment in the ways of the world.

I went to good schools, and I've just always had an allergic reaction to snobbishness - always found myself preferring to blend into the woodwork. I have an affinity to those who, in a sense, failed.

When so much is left to the listener's imagination, it is bound to be more scary. But our stories are not just to frighten; they are engaged with the things that are really scary like loneliness and madness.

Glenn and I were listening to a radio show in the car, and he said, "Glass Eye Pix should do radio plays." I loved the idea of working in a different medium. We've made comics, books, movies, video games, models, advent calendars, why wouldn't we try audio plays?