We all seek comfort, and I don't pretend to want to live in squalor.

We all seek comfort, and I don't pretend to want to live in squalor.

I came to love the rhythm of the sound effects and the whole experience of listening to a story. I made a lot of stuff with my hands and so I loved being free to not watch a screen. I still love it to this day.

Digging up graves is backbreaking work. So I just like that the genre of horror can embrace so many different styles and textures.

It's always different, depending on the writer and the director. A collaborator like Graham Reznick delivers a fully finished piece, perfected in every way. Other writers direct the recording session and then leave quite a bit of the work to us.

There are scripts that have come our way that are much more likely to be hits, but we don't really think that way.

Glenn and I were listening to a radio show in the car, and he said, "Glass Eye Pix should do radio plays." I loved the idea of working in a different medium. We've made comics, books, movies, video games, models, advent calendars, why wouldn't we try audio plays?