When you're in the music business, everything is very personal, because you are invested in everything; there's a very deep, personal attachment to your music.

People say, 'Why don't you do interviews? What do you think about this? What do you think about that?' My job in the band is to play drums, to get up on stage and hold the band together. That's what I do. At the end of the day that's all that's important. Everything else is irrelevant.

We all have views on what our Irishness means to us. Two members of the band were born in England and were raised in the Protestant faith. Bono's mother was Protestant and his father was Catholic. I was brought up Catholic. U2 are a living example of the kind of unity of faith and tradition that is possible in Northern Ireland.

Then Bono arrived, and he meant to play the guitar, but he couldn't play very well, so he started to sing. He couldn't do that either. But he was such a charismatic character that he was in the band anyway, as soon as he arrived. I was in charge for the first five minutes, but as soon as Bono got there, I was out of a job.

The only thing I wouldn't like to do is to play roles as a musician. I'm not sure that I would be comfortable doing that, and I'm not sure I'd be very good at it. I think I would be better served, and would be a better partner, if I was in something outside of myself.

It's a tough life being a pop star. You know, at the end of the day when you've paid all the bills and put the kids through college and that, you know, there's only enough left for a small island off the South Pacific.

I love the Elvis movies. I used to watch them. In every single one of his movies he wasn't acting as a car salesman - he was acting as a car salesman who loved to play guitar.