Photography is there to construct the idea of us as a great family and we go on vacations and take these pictures and then we look at them later and we say, 'Isn't this a great family?' So photography is instrumental in creating family not only as a memento, a souvenir, but also a kind of mythology.

Photography is there to construct the idea of us as a great family and we go on vacations and take these pictures and then we look at them later and we say, 'Isn't this a great family?' So photography is instrumental in creating family not only as a memento, a souvenir, but also a kind of mythology.

What's important to me is that [photographs] have the appearance of being documents of what goes on. I like the illusion of veracity, that they look like life rather than movie stills. I don't want them to look fabricated.

I'm very interested in making the photographs look real, but a lot of them are highly synthetic. They're hybrids, located somewhere between the found and the constructed.

...I think finding that room to make pictures that don't jump off the wall as, or detonate as dramatic, either in lighting or in form or in composition or in subject matter, but more ordinary, that's the challenge.

I love making pictures, even if most of the results are lousy.

Like a ventriloquist who laughs at his dummy's jokes, I keep trying to make photographs that seduce me into believing in the image - all the time knowing better, but believing anyway.