I think working with actors is a little bit how a chef would work with a potato or a piece of meat. You have to kind of have a look at the potato or the piece of meat and see what kind of possibilities are in the ingredient. I know I'm using the wrong metaphor. I think my job is to see what potato is there and from there, just work under their conditions.

You know, I really do have some morals. I do actually care about people. And I do have a political standpoint.

I am a man who likes to control things, and if I can't control them totally I will not control them at all.

I am crazy about time cuts. I have a theory that the audience tie everything together so they don't see time cuts but the time cuts give us the possibility of jumping in time, which means a psychological evolution can be cut down.

I think its a very strange question that I have to defend myself. I don’t feel that. You are all my guests, it’s not the other way around, that’s how I feel.

I’m having a vacation and it’s so beautiful and maybe I’ll never get another film idea in my life.

I hope my films will never completely be without the ability to mark anybody.