Unfortunately, on one or both of my shoulders sits lots of anxiety and that is a controlling factor in my life.

Basically, I'm afraid of everything in life, except filmmaking.

If I made a musical in the beginning of my career, it would have been crane shots and tracking shots and people coming out of cakes and whatever, but these techniques are something that I’ve left behind me.

I am crazy about time cuts. I have a theory that the audience tie everything together so they don't see time cuts but the time cuts give us the possibility of jumping in time, which means a psychological evolution can be cut down.

I think it's important that we all try to give something to this medium, instead of just thinking about what is the most efficient way of telling a story or making an audience stay in a cinema.

I am a man of very many anxieties but doing strange things with the camera is not one of them.

The secret ingredient to sex is love.