Cinema has become a global economy, totally international.

My key interest in choosing scripts is character-driven stories, because there are so many stories that sacrifice character for plot.

I made all their videos, apart from the last two, so if you ever see an Abba video on TV then it’s my stuff.

My films do have characters who have trouble escaping the world around them.

Many of the comedies I had made in Sweden were slightly based on semi-autobiographical experiences, so adapting novels was a very different experience.

I'm on this diet where you're supposed to eat only fish and meat.

I think I avoid stepping into sentimentality by trying to be as truthful as possible with performances.