The photogram, or camera-less record of forms produced by light, which embodies the unique nature of the photographic process, is the real key to photography.

In photography we possess an extraordinary instrument for reproduction. But photography is much more than that. Today it is [a method for bringing optically] some thing entirely new into the world.

The enemy of photography is the convention, the fixed rules of 'how to do'. The salvation of photography comes from the experiment.

The photogram, or camera-less record of forms produced by light, which embodies the unique nature of the photographic process, is the real key to photography.

Everyone will be compelled to see that which is optically true, is explicable in its own terms, is objective, before he can arrive at any possible subjective position. This will abolish that pictorial and imaginative association pattern which has remained unsuperseded for centuries and which has been stamped upon our vision by great individual painters.

The reality of our century is technology: the invention, construction and maintenance of machines. To be a user of machines is to be of the spirit of this century. Machines have replaced the transcendental spiritualism of past eras.

The illiterate of the future will be the person ignorant of the use of the camera as well as the pen.