I actually had a week where I literally wrote four songs and all of them are on my album. But sometimes you'll go a week where you'll write songs and they never see the light of day. So that process takes a long time.

There's lots of sides. The CD doesn't really create a mood. It creates more of a journey. It starts out with a simple bluegrass tune, sort of melancholy and sad, like "Lovin' and Lyin'," then it's sexy and there's some funny songs in there where I'm talking, like "Designated Drunk." There's a humor side, a sexy side, but there's also a pretty sad side, the country side. It's the backwards side of me!

I feel like that's a way people can change the way music is - to be guided by someone they believe in and trust. Larson and I really believed in each other. It was like brother/sister, father/daughter, we were laughing and yelling, that's how it is when you make an album! Essentially the trust was there and I got something great.

I always have plans to return to the stage. I leave myself very open. I think what would be more likely is if I did a limited run of something, whether it be a play or a musical.

What I loved about country music when I was a kid was the Grand Ole Opry, was Hee Haw, was 360 degrees of entertainment.

My father has a manufacturing company in Kentucky and he's an electrical engineer. A brilliant man. A brilliant businessman. So he understands the business aspects of my business very well. My dad and I always communicate when I have to negotiate a deal.

I actually met Larson [Paine] on Larchmont in Los Angeles. He was eating and he stopped me because I was massaging my larynx. I was doing a show and trying to loosen up my throat. He had sort of this southern vibe about eating alone and talking to people. And it was funny because I had just having eaten with Larry O'Keefe and Nell Benjamin.