I do think musical-theater actors can get a bad rap, and I see why. There is a certain slickness - there's nothing better than an amazing musical, but an okay musical can be one of the worst times you've ever had.

People want to go to a musical to be razzled and dazzled, so to have an opportunity to do a musical that feels serious and moving is exciting to me. Especially since people think of me as a silly, funny person, so I like to be able to show that other side of me.

I've met a lot of famous people that I just thought were so unbelievable. For me, meeting Julie Andrews was probably the highlight of my life.

I don't like the word "brand." When I see people creating a brand, it feels disingenuous.

I'm 35 but because I've been acting professionally playing women since I was eighteen years old - I never played a teenager - people constantly think I'm like ten years older than I am, which is a little hard on my ego.

I do think that there is an almost more old fashioned mentality to the way musical theatre people and actresses especially are treated.

That was my intention, was to have it be from the perspective of my high-school-aged self, and to try and emulate the music that I listened to at that time. So to write essentially like a pop-punk song about musicals. I wanted the dichotomy of the tone of the music with the lyrics and my singing voice.