That was my intention, was to have it be from the perspective of my high-school-aged self, and to try and emulate the music that I listened to at that time. So to write essentially like a pop-punk song about musicals. I wanted the dichotomy of the tone of the music with the lyrics and my singing voice.

I try to give the appearance that I have it all together and that I know what I'm talking about, but at the end of the day, I think I might be full of crap.

The first song I ever learned to sing and play on the piano was 'I Remember Sky' when I was 10 years old. I remember thinking, This is the most beautiful song I will ever hear. And that remains true for me to this day. His music is the sole reason I wanted to be on Broadway. I wanted to sing music that transports us to the most important place one can travel, our hearts.

I sing songs from the theater and pop songs. When I say 'pop songs,' I mean from the 90's. And I tell jokes. So it's sort of a stand up show meets a concert - not your traditional lounging across a piano cabaret show. It's much looser.

That was my intention, was to have it be from the perspective of my high-school-aged self, and to try and emulate the music that I listened to at that time. So to write essentially like a pop-punk song about musicals. I wanted the dichotomy of the tone of the music with the lyrics and my singing voice.

My biggest influence is someone I really don't know at all: Tina Fey. Smart, funny, beautiful, self-deprecating, also a mom and a wife.

Everything has become so pop-rock oriented that finding a role for a soprano, and finding an audience for a soprano, is tricky. Unless you're dealing with a revival, which is why I do so many revivals - because my specific tone and vocal quality lends itself to that type of writing.