If we had an audience to play to, the performance would have gotten too big. Sizing our performances to the camera was an important journey for me at least.

That was my intention, was to have it be from the perspective of my high-school-aged self, and to try and emulate the music that I listened to at that time. So to write essentially like a pop-punk song about musicals. I wanted the dichotomy of the tone of the music with the lyrics and my singing voice.

I wanted other women to know there's no shame in talking about it. People don't say they're pregnant until the second trimester. I intellectually understand that you don't want the whole world to know your business, but at the same time what does that mean? You don't tell your employers you're pregnant, but then when you miscarry no one knows you miscarried. Miscarrying is a horrible painful event.

In LA you can't tell the teenagers and the moms apart, which is so strange to me. And then it's like, "Who is leading who?" Are the moms emulating the daughters? In which case we're going backwards - that's not how it goes - the mothers teach the daughters how to be. It's a very strange thing to me.

I don't like the word "brand." When I see people creating a brand, it feels disingenuous.

People want to go to a musical to be razzled and dazzled, so to have an opportunity to do a musical that feels serious and moving is exciting to me. Especially since people think of me as a silly, funny person, so I like to be able to show that other side of me.

I was always a little adult. Even as a little kid, I just couldn't understand why I was surrounded by all these kids. I took things very seriously.