It's always been a desire of mine to work with my parents, so Wild at Heart was a wish come true. The first day we did a scene together I came down the stairs and my mom pointed that finger at me: "Don't you dare talk to that boy again!" You know, I've seen that finger for 23 years. And I started laughing, she started laughing, then the whole crew broke up - in that moment, they all knew that she and I had been there before.

In Smooth Talk it was a much more intuitive search - I was only 17 at the time, and I wasn't aware, as women are when they get a little older, that there's always a side of a woman that likes a man from the other side of the tracks. We all have an attraction to what's different from us.

I really don't consider myself to be a conventional Hollywood star. I've never really been marketed by the big studios to do mass market box office films.

If my career were a hairstyle, it would be helmet-head.

I'm lucky enough that directors sometimes seek me out for little projects that people don't even know about, that just surface later on.

People have forever been interested in twins.

Whether a movie part comes to me or I seek it out, there's always this journey to darkness through light, or vice versa; that element has been in almost everything I've done.