I love comedy. David's Lynch the only person I've worked with more than once who sees me as a specific thing - he sees me as the sexy bimbo, in ways, and he also sees me as Lucille Ball. Actually, Nick Cage and I did Lucy and Ricky in two scenes in Wild at heart that were cut because the movie was four hours long.

What I consider a good part for a woman and what some other Hollywood people think are good women's parts are very different. I don't' want to play the supportive girlfriend who has nine scenes and just loves that man, maybe cheats on him in one scene but will always be there, and I mean - give me a break. You'll be offered the "lead" in this new hot film with such-and-such A-list director, "a fabulous part" - a fabulous part? A fabulous part is a character with a soul, who starts here and goes to there, you know? There aren't many of those.

Obviously, the urge to molest children comes from some experience the person has had as a child, and he or she never worked it out. Watching Raymond Buckey describe how he loved working with the kids, I could sense this 11-year-old who'd stopped and never grown further on a sexual level.

It's interesting to talk to my mom about her character in Wild at heart, because she sees her as a mother who's just trying to protect her baby from a bad boy. I think that's why it works so beautifully - she has conviction about what she's doing.

Wild at Heart made a few people angry-they thought I was exploiting women by showing that when a woman says no she really means yes.

You can hardly tell where the computer models finish and the real dinosaurs begin

What about good small roles for women? I've told my agent, if there are two great scenes in a film, I don't care, if it's something with that great edge to it.