I hope we can be consummate artists as women or revolutionaries, or whatever women want to be, and also have love, not only for ourselves but from a partner.

It's very easy to get caught up in - there's a hype going on now that I haven't seen in years, and it's actually more about press than it is about an actor's work or what films they've been in.

Whether a movie part comes to me or I seek it out, there's always this journey to darkness through light, or vice versa; that element has been in almost everything I've done.

As someone who has been asked to ask David Lynch what his movies mean for 25 years, I'm very careful about asking artists what their art means.

I'm lucky enough that directors sometimes seek me out for little projects that people don't even know about, that just surface later on.

I would say Steven Spielberg is family to me. He's a genius. We survived a hurricane together. I ran from half-puppet,half-nothing creatures. It was months of our life as family. It was the wildest film, Jurassic Park, I'd ever worked on that way.

I think it's interesting that there's always a dark cloud hanging over my character, in every movie. Even in Fat Man and Little Boy, where it's a real dark cloud. In Mask, it's more the judgment of others, but it's still a threat.