I just love, I love, I love movies.

It would be great to make a movie that had the style of a great '30s film or a movie of David's Lynch or some other director I love that could also make money, because that would say to the corporation, "Yes, you can make money and still do art." But it's tricky.

I'm interested in flawed protagonists. I was raised on them.

We like our archetypes and heroes to be what they are at face value. And life doesn't work out like that

What about good small roles for women? I've told my agent, if there are two great scenes in a film, I don't care, if it's something with that great edge to it.

Private boarding schools and Catholic schools on the East Coast are something. Choate really ruined my father's life. He's had nightmares about Choate every since he went there. Treat Williams, who's a good friend, went to Kent School, in Connecticut. The stories I've heard about those places - didn't you have one nun who was just the worst nightmare?

I study Carl Jung, who talks a lot about the shadow side, the repressed side. I think the scariest thing in the world is repression. There's plenty to be idealistic about, but we have to be aware of all sides of ourselves, and there are definitely shadows in all of us.