I don't turn my nose up at anything. If it's a great part, it's a great part. I'd love to do a box-office hit.

Unfortunately, overall, movies are a conglomerate. People buy and sell people in this business, which can get really ugly unless you have the right set of values and understand why you're doing it. Luckily, I was raised by people who'd already gotten to that point, and seen all the yuck stuff - which is probably why they originally didn't want me to act.

I study Carl Jung, who talks a lot about the shadow side, the repressed side. I think the scariest thing in the world is repression. There's plenty to be idealistic about, but we have to be aware of all sides of ourselves, and there are definitely shadows in all of us.

I love comedy. David's Lynch the only person I've worked with more than once who sees me as a specific thing - he sees me as the sexy bimbo, in ways, and he also sees me as Lucille Ball. Actually, Nick Cage and I did Lucy and Ricky in two scenes in Wild at heart that were cut because the movie was four hours long.

I wanted to go to Jupiter. That was my plan from day one, and David Lynch gave me the ticket.

There's always a side of a woman that likes a man from the other side of the tracks

It's always been a desire of mine to work with my parents, so Wild at Heart was a wish come true. The first day we did a scene together I came down the stairs and my mom pointed that finger at me: "Don't you dare talk to that boy again!" You know, I've seen that finger for 23 years. And I started laughing, she started laughing, then the whole crew broke up - in that moment, they all knew that she and I had been there before.