I grew up in Manhattan and, since my father was a playwright, all I ever wanted to be was a stage actress.

I am very aware that playwrights, particularly good ones, have a intention for everything they write. Language and punctuation is used specifically, and most of the time actors can find wonderful clues about character in the rhythm and cadence of the language used.

It's always nice when you do something and it's well received as opposed to the other way which God knows happens to everybody. When the good times come around, you take a deep breath, appreciate it, but not take it too seriously.

When you tell people, your world changes, your identity changes and people treat you differently. And then, not only do you have to deal with your own emotional response to what's going on, but you take on everybody else's emotional response.

I don't want to spend my life in my 40s feeling bad about being in my 40s, and then all of a sudden I'm 50, and I will have missed a whole decade!

People have to look to the right places for guidance. Looking at a certain type of entertainment shouldn't be where you go for guidance. To zone out, have a laugh, sure - but it's not a great example on how to navigate on a journey. There are other places to look.

I never felt like a happy-go-lucky ingenue to begin with. And parts are written better when you're older. When you're young, you're written to be an ingenue, and you're written to be a quality. You're actually not written to be a person, you're written for your youth to inspire someone else, usually a man. So I find it just much more liberating.