My parents encouraged us to commit to things, so if we wanted to learn an instrument, it was all the grades and all the theory.

I remember listening to Miles Davis in the car with my dad. I had just done my Grade 5 piano exam, and I was quite cocky. I said, 'It sounds like he's played the wrong note there.' I remember the look of horror on my dad's face, and thinking, 'Wow, I have to figure out why that is not acceptable.'

I love church buildings, particularly cathedrals, and I like living in spaces that remind me of music or evoke that creative energy.

My songs are very personal, which means they are fantastically therapeutic to write, but performing them night after night is emotionally draining.

Taxi drivers used to ask me what kind of music I did and I'd say, well, it's kind of jazz, soul, classical - but that makes no sense to anyone. Now I say I just write my own songs. I thought I had to help people get me, but I don't think they need to be spoon-fed. If you connect with me that is cool. I don't need the whole world to feel like I am a soul angel.

London audiences have this reputation for being a bit too cool for school.

I really love jazz, but I will never be a jazz musician as much as I dream. But, I think that the jazz music I love is there in my music.