I would always say I'm doing a video project. About dancing or birthday parties. Of course, the video becomes more than that. It goes deeper than that. But it's not a lie. It's a starting point.

Death is sad, yes, but there are some great laughs you can find there.

I'm interested in that hybrid - the place between the real world and my imagination. There's a friction that's created between the things we imagine and the things that exist.

In general, I wait to be approached. I want to be the one who's hunted, I want to be the one who people take interest in.

Sometimes it's good to get mad, sometimes it clarifies where we stand. I think that art has the ability to challenge and push, and that's great. That's better than great... it's necessary.

I wanted to tell stories that moved. Nothing stays the same, and that's why photography is important. The world flickers and changes, and that's why video is important.

Also, I'm drawn to moments of ambiguity, when things could go right or they could go wrong. I'm interested in discomfort. Discomfort is a place where we're still close enough to comfort to understand our unhappiness. Most of the things we desire are things that can destroy us.