The most amazing moments are when something horrible is about to happen or has just happened. The iceberg falling into the ocean. That aching moment. You can see the pieces, you can see how they fit together, but you can't put them back together.

I think my work is optimistic - as much as it is pathetic and funny and sad and ridiculous, at the end of the day it's about the hope that something will go right, and the constant wishing for a world where things might start to make sense.

In general, I wait to be approached. I want to be the one who's hunted, I want to be the one who people take interest in.

I'm more interested in the idea of role-playing in general than the idea of role-playing in art. I like the childlike quality of making pretend or the optimistic idea of pretending something's happening when it's not.

I never want to make videos with people who don't want to make them with me. I don't want to force people to take part. Only people who want to collaborate. And that's important because otherwise, the videos wouldn't work. Them choosing to take part is very important to the videos.

I think it's a really good thing to put yourself in a situation where you feel really uncomfortable because I think things can come out of that discomfort.

Every time I hear that somebody died I think of their body, on a steel table in a morgue somewhere. I think of how they can do nothing about it.