the real stakes in the theater are high - they are life stakes. That's what I love about it. You gamble with your life, and that's a gamble worth taking.

I remember my oldest son, Steve, saying to me once, 'I don't ever remember seeing you with an apron on.' And I thought, that's right, honey, you did not. That was his concept of what a mother should be.

I think I'm damn lucky. I'm lucky that my kids are all straight, that they haven't ended up in jail, that they're all worthwhile human beings, thank God. Their lives are happy; they have happy partners, wives, husbands.

I'm total, total, total liberal and proud of it.

I’m not ashamed of what I am - of how I pass through this life. What I am has given me the strength to do it. At my lowest ebb I have never contemplated suicide. I value what is here too much. I have a contribution to make. I am not just take up space in this life. I can add something to the lives I touch. I don’t like everything I know about myself, and I’ll never be satisfied, but nobody’s perfect. I’m not sure where the next years will take me - what they will hold - but I’m open to suggestions.

The problem in America as far as actors are concerned - and it's probably true in other fields, as well - is that they don't value people who are older or talented. I don't think ability means anything. How much money you have or how much money you can make for them are the only things they seem to care about or understand.

I called my business manager in California and said, 'Sell all of my stock' - what little of it I had - and it's the only smart financial move I ever made.