My biggest goal was - I thought, God, if I could just be a rep company member at the Arena Stage in Washington, D. C. and get to play a bunch of parts in a year! And now in my work everything is about promoting it. It's not about the doing of it! Everything is: You have to sell it, and they ask you to tweet about it or do photo shoots, even for the smallest job. There's an imbalance in terms of what is actually gratifying. The stuff that is gratifying is, like I said, the day of work and the doing of it.

Belly buttons are cool!

It's also show business. It's not "show fun friends".

Over and over in the play my character says, "I'm thirty-two years old," as if that should explain everything that's wrong in her life. I don't know what it's like to be thirty-two, but I can imagine. I imagine she means she's stuck in an in-between time, she's at an age that isn't a milestone but more of a no-man's-land, an age where she's feeling like her hopes are fading.

The best part of getting to do what you like is just doing it. That doesn't have to do with being famous or even successful or even powerful. I see people in life who are just doing a job and seem to be having a good time. And that's the trick.

You want the story to end when it's supposed to and not be squeezed for somebody's financial gain.

I take the no-doughnut pledge, and then I break it.