You may be sensitive inside, but what I see on the outside is a soldier.

It's also show business. It's not "show fun friends".

I must work harder to achieve my goal of not seeking approval from those whose approval I'm not even sure is important to me.

The best you can hope for is a great collaborator.

The thing I don't like on television is when somebody does something that makes absolutely no sense just for the shock of it.

I came from a Sorkin-like project in the sense that there was no freedom to change a line, which, in a weird way, is its own freedom because you're living within that structure and know this is what it is. You just adjust. Every project has its own personality.

I think what my hope is is that the only downside of having a steady job on television is, I think for all actors, there's a piece, there's some adrenaline, and part of the love of the job is not knowing what's coming next, and the variety.