I love TV. I think I'd do a half-hour single-camera comedy.

I didn't grow up identifying with beauty. I grew up thinking I could be smart and funny - those are the things I got feedback on.

Over and over in the play my character says, "I'm thirty-two years old," as if that should explain everything that's wrong in her life. I don't know what it's like to be thirty-two, but I can imagine. I imagine she means she's stuck in an in-between time, she's at an age that isn't a milestone but more of a no-man's-land, an age where she's feeling like her hopes are fading.

Moving. Someone said this to me a long time ago, it's bhuddist saying, I think: 'There is no wasted effort'.

I came from a Sorkin-like project in the sense that there was no freedom to change a line, which, in a weird way, is its own freedom because you're living within that structure and know this is what it is. You just adjust. Every project has its own personality.

I am here to tell you there's nothing in people knowing you. There's actually a loss in that! Really, the reward in life is genuinely the day of work you have. It's not the name you're making for yourself or the clicks and likes - it's such an illusion.

We're all working hard, but so far away from what we actually want to be doing. We're all peering in at the window of a party we aren't invited to yet, a party we wouldn't know how to dress for, or what kind of conversation to make, even if we came as someone's guest.